Equalizers

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Ashly 2.24GS

CODE: 224GS

List price: $815.00

Our price : $650.00

You save: $165.00 (20%)

The 2.24GS allows for the installation of multiple channel graphic equalizers where tamperproof, sound shaping equalization is required. Control and programming of the 2.24GS is easily achieved from the 4.24G Main Unit, 4.24RD Remote Control, through the use of Ashly's exclusive Protea System Software running on a PC, or by a MIDI controller. The Protea 2.24GS is housed in an all-steel, 1RU chassis, and has two independent channels of fully programmable 28-band graphic EQ with with limiter, high- and low-pass filter, and time delay functions.
 

Ashly 2.24PS

CODE: 224PS

List price: $815.00

Our price : $650.00

You save: $165.00 (20%)

The 2.24PS allows for the installation of multiple channel parametric equalizers where tamperproof, precise audio equalization is required. Control and programming of either product is easily achieved through the use of Ashly'sexclusive Protea System Software running on a PC, or by a MIDI controller. The Protea 2.24PS is housed in an all-steel, 1RU chassis, and has two independent channels of fully programmable 12 band parametric EQ with with limiter, high- and low-pass filter, and time delay functions.
 

Ashly 4.24G

CODE: 424G

List price: $1,715.00

Our price : $1,370.00

You save: $345.00 (20%)

Full control of the 4.24G is accomplished from the front panel in an intuitive and straight-forward layout. It's like using your old analog equalizer, only with extra features and benefits to simplify your audio chain requirements. Housed in an all-steel 2RU package, the 4.24G has all the audio processing tools needed for flawless equalization and sound control. In addition to 28 bands of 1/3-octave EQ are a programmable compressor/limiter for speaker protection and programmable delay of up to 1.364 seconds for time delay applications required by speaker arrays and clusters or monitor speakers. Individual, programmable 24dB/octave high- and low-pass filters allow you to zero in and fine tune the audio spectrum you need to work in. A large 240 x 64 fluorescent backlit display keeps you constantly informed of every parameter, function and utility, including metering and user preferences. The 4.24G may be controlled from a remote location using the Protea 4.24RD.
 

Ashly 4.24GS

CODE: 424GS

List price: $1,215.00

Our price : $975.00

You save: $240.00 (20%)

The 4.24GS allows for the installation of multiple channel graphic equalizers where tamperproof, sound shaping equalization is required. Control and programming of the 4.24GS is easily achieved from the 4.24G Main Unit, 4.24RD Remote Control, through the use of Ashly's exclusive Protea System Software running on a PC, or by a MIDI controller. The Protea 4.24GS is housed in an all-steel, 2RU chassis, and has two independent channels of fully programmable 28-band graphic EQ with with limiter, high- and low-pass filter, and time delay functions.
 

Ashly 4.24PS

CODE: 424PS

List price: $1,215.00

Our price : $975.00

You save: $240.00 (20%)

The 4.24PS allows for the installation of multiple channel parametric equalizers where tamperproof, precise audio equalization is required. Control and programming of either product is easily achieved through the use of Ashly's exclusive Protea System Software running on a PC, or by a MIDI controller. The Protea 4.24PS is housed in an all-steel, 2RU chassis, and has four independent channels of fully programmable 12 band parametric EQ with with limiter, high- and low-pass filter, and time delay functions.
 

Ashly GQX-1502

CODE: GQX1502

List price: $400.00

Our price : $320.00

You save: $80.00 (20%)

GQX Series EQ's are available in two configurations. The GQX-1502 features two channels of 15-band 2/3-octave equalization and a switchable high-pass filter (40Hz). The GQX-3102 features two channels of 31-band 1/3-octave EQ, a tunable high-pass filter circuit (8Hz to 200Hz), a switch-selectable cut or boost of either 6dB or 15dB. The full-throw faders are a custom-manufactured metal-shaft type, with the center detented position utilized as an ™on/off" switch for that filter (to minimize any possible degradation in signal noise levels). and 10-segment, two color LED meter displays, referencing 0 VU to +4dBu.
 

Ashly GQX-3102

CODE: MQX2150

List price: $795.00

Our price : $635.00

You save: $160.00 (20%)

GQX Series EQ's are available in two configurations. The GQX-1502 features two channels of 15-band 2/3-octave equalization and a switchable high-pass filter (40Hz). The GQX-3102 features two channels of 31-band 1/3-octave EQ, a tunable high-pass filter circuit (8Hz to 200Hz), a switch-selectable cut or boost of either 6dB or 15dB. The full-throw faders are a custom-manufactured metal-shaft type, with the center detented position utilized as an ™on/off" switch for that filter (to minimize any possible degradation in signal noise levels). and 10-segment, two color LED meter displays, referencing 0 VU to +4dBu.
 

Ashly MQX-2150

CODE: MQX2310

List price: $300.00

Our price : $240.00

You save: $60.00 (20%)

The graphic equalizer shall be stereo (2 channels). Each channel shall consist of 15 bands centered on standard ISO frequencies at intervals of 2/3 octave and covering a frequency range of 25Hz to 16kHz. Individual bands shall be activated by linear slide faders with a 25mm travel, and a tactile center detent. The range of equalization per band shall be switchable between ±15dB or ±6dB.
 

Ashly MQX-2310

CODE: EQA131

List price: $600.00

Our price : $480.00

You save: $120.00 (20%)

The graphic equalizer shall be stereo (2 channels). Each channel shall consist of 31 bands centered on standard ISO frequencies at intervals of 1/3 octave and covering a frequency range of 20Hz to 20kHz. Individual bands shall be activated by linear slide faders with a 25mm travel, and a tactile center detent. The range of equalization per band shall be either ±6dB or ±15dB selected via a 2- position switch.
 

BBE EQA131

CODE: EQA215

List price: $229.00

Our price : $149.99

You save: $79.01 (35%)

On the EQA131's active filter sections are the constant-Q (constant bandwidth) design: the bandwidth of each individual filter has a perfect balance between being narrow enough to prevent unwanted interaction between filters, yet wide enough to deliver exactly the type of correction curve demanded by even the most unusual acoustic surroundings.
 

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